Anatomical structure of the characters
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What is the workshop about |
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A workshop of encounter between one's own body and the body of the other on stage:
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What is the approach |
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This workshop invites participants to explore the anatomical structure of their body in order to best compose the different characters they embody in the different theatrical creations. This is based on an exploratory journey into the anatomical and emotional palette of the body.
This method aims to best equip artists to build and structure the characters they embody and to exist through the organic body of a creative actor. With eutonia exercises, the artist manages to control his breathing rate and assimilates his psychological function to mark his signature on stage. |
what is the objective of the workshop |
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Without recourse to speech the participant will write sentences with his body and develop an ability to hear, feel his body and express himself organically.
Cultural / Theater Mangment SeminarIn addition to the workshop "Anatomical structure of the characters", Cyrine Gannoun will be conducting a seminar under the name "Cultural / Theater Management".
Cyrine will provide this workshop in order to highlight the interest of such a specialization in the setting up of cultural projects and the choice of new modes of governance adapted to the general geopolitical contexts of our countries, as well as the essential steps in the project's management and the solid economic models for the viability of artistic and cultural projects nowadays. |
About Cyrine Gannoun |
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Cyrine Gannoun is a graduate of the Sorbonne Nouvelle Paris III in the Performing Arts Program. She is a cultural activist both in Tunisia and internationally. Cyrine has presented at several conferences and led multiple seminars on the development of cultural industries in post-revolution Tunisia, and other Arab countries. She works with international institutions such as Cultural Resource (Almawred Al Thaqafy) on changing cultural policies in Tunis and the Arab world supporting larger government and corporate involvement in the arts. She also leads training programs in cultural management around the Arab world.
Cyrine held several professional positions in recent years including: Advisor to the Minister of Culture in Tunisia (2014-2015), where she was responsible for investment in the cultural sector, restructuring and rehabilitation of cultural institutions, as well as the reorganization of national cultural events as part of the implementation of the new constitution. She also advised on the overall cultural strategy of Tunisia; General Coordinator of the International Festival of Carthage (2012-present) – the largest and most prominent outdoor festival at the Roman theatre of ancient city that seats 10,000 people. She is also the Associate Director of JournéeThéâtrales de Carthage –JTC (2012-present), Tunisia’s leading theatre festival. Before that, Cyrine worked as an event coordinator for large commercial agencies in Paris such as Penelope Events Paris, Essonne Diffusion Paris and Nefertari Paris (2006-1011). Cyrine was also the representative of the national chapter of Arterialnetwork Tunisia (2011-2016). After the Tunisian revolution in January 2011, she made the choice to return home to serve her country and to participate in this critical phase of transition towards democracy. Currently she is the president and founder of Eclosiond’Artistes, an incubator association that supports young Arab and African talent. She also serves as independent consultant and project manager for the Ministery of Culture. A professional actor and dancer herself for over 18 years specializing in movement anatomy, Cyrine recently took over as the Artistic Director of ThéatreEl Hamra and the Centre Arabo-Africain de Formation et de RecherchesThéâtrales after the sudden passing of her father, founder EzzedineGannoun. Acting credits include Nawasi (1999-2002), ParlonsEn Silence (2003-2005), and Monstranoum’s (2012-2015) at Theatre El Hamra and Arabesque (2005-2006) at Paris III University. In 2020, Cyrine directed and participated in the dramaturgy of the theater play "pieces of women" and the Solo Dance "Behind the sun". |